Blood Into Art?

About 8 years ago I was introduced to Jordan Eagles at my sister-in-law’s place in upstate NY. He was the quiet guy at the party who struck up a conversation with me. I found out shortly in that he was an artist from Short Hills, NJ – right in our agency’s backyard. He even had a small portfolio of his work with him – and his work was gorgeous. His medium? Cow’s blood acquired by a local slaughterhouse.

These meticulous methods and executions incorporating resin, cheesecloth, copper and more all came together to make beautiful pieces of art that include sculpture, painting, video and even light installations.
Since blood is a source of life, Jordan’s work represents more the beauty of living than that of death – although it evokes the connection between both. I believe it’s best viewed for the end result, not necessarily the key ingredient in his medium which may or may not turn potential viewers off.

I didn’t think twice about checking out his gallery show when he came through NYC back in 2007. Years later, I’m excited to see that Eagles has made a serious impression on the world of modern art. This one is happening right now in Boston.

You can check out all his other work here. (Hard to believe True Blood hasn’t connected with Eagles to promote the final season…)

~ Michael Kolatac, Sr. Art Director, The S3 Agency


Few would argue the fact that books have the ability to change the course of human history. Usually, it’s the words within the pages that do the work, but in this particular book it’s the pages themselves: meet The Drinkable Book, the beautiful and functional result of a partnership between DDB New York and Water is Life.

As the accompanying promotional video explains, “every year, 3.4 million people die from water-related diseases.” The Drinkable Book not only educates about the causes and dangers of contaminated waters, it provides an invaluable fix for them: its pages are made from paper coated with particles of silver that enable it to filter out 99 percent of harmful bacteria from contaminated water, rendering it as safe as tap water here in the states. The paper is inexpensive to produce and each filter can last up to 30 days, meaning each book can give its owner up to 4 years’ worth of clean water.

This combination of humanitarian effort, scientific innovation and beautiful, simple design make for an award-worthy piece that has the potential to change the lives of millions. Watch the video here:

~ Trish Salge, Sr. Art Director and Chief Environmental Correspondent, The S3 Agency

New McDonald’s Ads: Who’s Loving It?

Fast food and French food don’t often go hand in hand, unless you’re talking about french fries…then again, these ads from McDonald’s in Paris go beyond the normal Happy Meal. The upcoming summer campaign is much more elegant than one might expect from the Golden Arches. The brand is letting their iconic offerings such as French Fries, Big Mac, and Chicken McNuggets speak for themselves – sans headlines – via flattened pictograms. The only other element: a small “Golden Arches M” reminiscent of a registration mark appears next to the image.

These striking ads certainly let the product be the hero. The illustrative style goes a bit against the traditional “appetite appeal” directive by which most restaurants (including Mickey D’s) generally abide. When these outdoor ads begin popping up in France this summer, will that differentiation work in the brand’s favor? Quite possibly. The campaign invokes heritage and modern appeal simultaneously.

It appears that, in Europe at least, McDonald’s is looking to elevate its image with these tasteful ads. Who’s loving it?

~ Denise Blasevick (@AdvertGirl), CEO, The S3 Agency

Note: This article originally ran in my column. Follow me there for tasty tidbits about advertising, public relations, and social media! ~ Denise


We’ve heard about “likeable” media – but what about “blinkable” advertising? That’s our agency’s term for brand exposure that is so brief, you might miss the message if you blink. Is this not-quite-subliminal branding worthwhile or a waste of marketing dollars?

Earlier this month, Eminem released a Spike Lee-directed video on Mother’s Day. The video is a fairly touching piece shot through the eyes of his long-estranged mother, and one would assume it represents an olive branch of sorts from Eminem. I watched the video and had to do a double take at the 2:26 mark when a single shot of the front grill of a Dodge is haphazardly spliced into to the video. I find this to be the worst kind of disruptive. Knowing that Eminem is a spokesperson for the Detroit car manufacturer, it is not surprising that he is driving a Dodge in the video. But the way the single shot is inserted in the video screams of a colossal mix-up on Spike Lee’s side. (Warning: explicit video follows.)

Interestingly, this explicit video that has a blip of Dodge branding jammed into it currently requires viewers to watch a family-friendly ad from Chevy:

What? If you’re going to literally insert yourself into the video, then at least own it in terms of the actual advertising opportunity.

This is not the first time I have noticed this kind of advertorial spliced into a music video. Check out the 2:23 mark of this Katy Perry video where it is clear that a ‘beauty shot’ of an Ice-Watch has been spliced into the action.

Working on the account / strategy team on the ad agency side, I understand both brands’ desires to have their products clearly featured in video content from two of music’s most popular acts. I just wonder if there might have been a better way to execute this in the pre OR post production phase of the video making.

In the end, I don’t think these types of disruptions do anything for the brand — except possibly look like a mistake.

~ Jaime Hamel, Digital Strategist, The S3 Agency


ESPN seems to think so. In fact, their World Cup Posters are creating buzz as the games get set to start!

World Cup fever is ramping up quickly among football (’soccer’) fans.  Hence the timing for the release of ESPN’s amazing World Cup posters could not be any better.  The set of 32 posters (one for each World Cup team) were created by Brazilian artist Cristiano Siqueira using a unique style that features each team’s nationality, team name, and star players. Above is the poster for Japan. Below are Netherlands and Switzerland.

Siqueira shows that print is certainly not dead…take a look at all the posters here.

~ Walid Elshahed, Web Designer, The S3 Agency


A student ad campaign supporting pro-public-breastfeeding in Texas is causing quite the online stir with its provocative images of women nursing their babies in public toilet stalls. The campaign called “When Nature Calls” is the work of two University of North Texas graphic-art majors, Jonathan Wenske and Kris Haro, who decided to take on this controversial issue for an assignment that requires students to design a campaign for a social issue or product.  

The ad campaign, aiming to protect the rights of nursing mothers, illustrates what it looks like when women don’t have the right to nurse in public and are forced to feed their children in dirty public bathroom stalls.

Here’s what the ad copy says, complete with a call to action: “Would you eat here? By law, breastfeeding mothers are not protected from harassment and refusal of service in public, often forcing them to feed in secluded spaces such as public bathrooms. Contact your state and/or local representative to voice your support for breastfeeding mothers, because a baby should never be nurtured where nature calls.”

While there was never any intention for the ads to run in public, they have gone somewhat viral after being featured on sites like the Huffington Post, Popsugar, and Cosmopolitan. The first image, posted on Facebook by blogger Mama Bean on May 3, has more than 12,800 likes and 8,000 shares, generating a lengthy stream of comments ranging from supportive to insulting.

What I like most about this campaign is that is touches an emotional chord – one that may make readers a bit uncomfortable. Whether you’re a breastfeeding advocate and the reality of this campaign makes you sad or you’re on the other side of the fence and breastfeeding in public makes you feel awkward, this ad campaign definitely makes you feel something. I believe that when advertising takes someone just a bit out of their comfort zone (especially for social awareness campaigns), the ads are most likely doing their job. This campaign is creating conversation and provoking thought. You can’t ask for more than that!

~ Tracey Jeffas, Account Supervisor, The S3 Agency

A Campaign of (Pint-Sized) Proportions

They say the best things in life come in small packages, or in Coca-Cola’s case, cans. In an effort to promote their 7.5 oz mini cans, tiny kiosks were set up across 5 major cities in Germany. With Coke being one of the most recognizable and valuable brands in the world, the company logo was all that was needed to let the public know what this stand was selling. Each kiosk came equipped with a miniature version of the classic Coke vending machine, along with a variety of other mini products available for sale and a not-so-mini salesman manning the booth (someone get that guy a chiropractor).

This interactive outdoor campaign certainly did its job. The little kiosks garnered a ton of attention from passersby who were eager to snap pictures with their phones, chat with the sales clerk, and ultimately make purchases. In fact, an average of 380 cans were sold out of the mini vending machines each day (which is a 278% increase in sales over regular-sized Coke vending machines)! It was the novelty of having everything downsized that created all the publicity and boosted sales. This just goes to show that bigger isn’t always better. 

~ Kim Schult, Account Coordinator, The S3 Agency


Words or Pictures? Both?

In a recent informal survey, we asked advertising agency professionals which type of ad they are more drawn to: one with an image but no words, or one with words and no image. “Words with no image” won in a landslide…but don’t tell Rosetta Stone, the language-unlocking artifact, or Rosetta Stone, the language-teaching brand.

The original stone itself acted as a key to help the modern world understand the pictures that acted as language in the ancient world. Using “Rosetta Stone” as a brand name has always been a brilliant branding choice for the company that can teach you anything from Swedish to Swahili. Check out their newest ad campaign. Although one might expect a language-company’s ad to be driven by copywriting, it’s the visual that really catches the eye here:

The headline – in immediately understandable French, thanks to the ridiculous and ridiculously adorable photo of a moustachioed infant – ties it all together. Voila: the brand’s message is immediately unlocked in the viewer’s brain. Is the correlation between the ad and the artifact a bit of a stretch or a brilliant modern interpretation? I’d say the latter. Très bien, Rosetta Stone!

~ Denise Blasevick, @AdvertGirl & CEO, The S3 Agency

GNC Campaign Beats Average

Every morning I wake up at zero dark thirty to head to the gym for a workout. It’s a fight to get out of a warm bed when it’s cold and dark outside, and there is always that voice in my head saying “It’s cool, there is always tomorrow.”

GNC plays up this voice in their latest commercial “Beat Average”:

It points out all the reasons we choose not to work out on a daily basis, from unexpected office doughnuts to a single drop of rain. It shows no products or special offers, and the title card comes at the end, so you’re not quite sure what to expect until it’s over. At the end I find myself saying “I’m not average, I’ll show you!” The commercial could have easily been for a new gym, but perhaps that is the point. GNC wants to motivate you to work out, to care about looking and feeling better…and in turn visit them.

This ad will definitely connect with those who make working out a part of their daily routine. And hopefully it will reach those who want their daily routine to include exercising, too. It’s a motivational message for everything in life, really: above average beats average. Period.

~ Mike D’Ambrosio, Interactive Art Director and Average Beater, The S3 Agency


Thought Game of Thrones couldn’t get any cooler? Think again. Check out these cats. Scott Bradlee and crew (Postmodern Jukebox) currently have the heppest viral video — over 2 million views and counting — thanks to their jazzy interpretation of the cult show’s well-known theme song. In addition to the sudden insinuation into pop culture, Bradlee may experience lasting benefits: there is talk that this could become a new jazz standard. Imagine that: immortalizing oneself in a good way, thanks to a cable show and YouTube? Now that’s creativity at its best.

~ Denise Blasevick (@AdvertGirl), CEO, The S3 Agency


This one from Maui Jim sunglasses sure is…

Ad spotted by: Mike Kolatac, Sr. Art Director, The S3 Agency

Whisky Ad Makes You Cry Without Being Drunk

I don’t remember a ton of tear-jerker ads for hard alcohol, but this South African spot for Bell’s makes up for that. Putting the “malt” in “schmaltz,” the Bell’s whisky commercial is a bit predictable – but that doesn’t take away from its emotional impact on the viewer. You’ll find yourself rooting for the spot’s hero…and agreeing that he does, indeed, deserve a reward. Overall, the ad makes you feel good (the way a good whisky should, I suppose) while elevating the brand. Nicely done.

Ad spotted by: Adam Schnitzler, CCO, The S3 Agency

What’s Your Age in Work Years?

Recently while looking over resumes of entry-level candidates, I began to think about how much has changed in the PR industry just since I started working.  I realized that you could probably date yourself and other people pretty easily just by figuring out what they’ve been around to see and do.  You can figure out your age in work years based on the different things you’ve seen come and go.  For example:

  • I’m old enough to have used Cision when it was called Bacon’s, but young enough to never have used Bacon’s in book form.
  • I’m old enough to have mailed out hard copies of press releases but young enough to never have needed to fax my pitches.
  • I’m old enough to have used the phone as my primary means of pitching for all media, but young enough that very few reporters have ever really welcomed a call over email.
  • I’m old enough to have sent hi-res images through the mail on a CD but not so old that I’ve ever had a strip of film paper-clipped to my press kit.
  • I’m old enough to remember a time before bloggers were part of a media outreach strategy but young enough to appreciate a hit on Huffington Post almost as much as one in USA Today.

I’m sure this same principle could apply to many different industries and practice areas.  Perhaps someone in advertising would be old enough to remember when ad concepts were always sketched by hand for presentations, but not old enough to have experienced martini-based lunches following those presentations.

There are probably plenty more examples – comment below with some ways you can gauge your age in work years!

~ Ali Gogarty, Account Supervisor, The S3 Agency

3 Things You Need to Know About the New Twitter Layout

The microblog / social network has updated its layout and features.

Twitter, the popular 140-character microblog / social network, has just updated its layout (again) and added some new features. Here’s what you need to know:

  1. Bigger, more beautiful profile header. That’s exactly what Twitter is calling their newly dimensioned (1500x500 pixels) image that can be placed at the top of your profile. This is similar to the cover photo in Facebook.
  2. Automatic sizing of profile photo. Per Twitter, just update your photo (recommended size 400x400 pixels) and it’s automatically resized to fit.
  3. Pin a tweet. Again, similar to Facebook, now you can choose a single tweet to pin to the top of your Twitter profile. This is perhaps the biggest, most important change of all because it allows you to control the first impression beyond the profile design and write up. Previously, tweets simply moved down in the timeline as new tweets took first position. Now, you can choose your shining Twitter moment and feature that right up top for all to see. You can also share tweets via email and embed tweets, all from the same function bar at the bottom of each tweet.

With these new easy-to-implement options, it’s probably worth checking out your Twitter profile today.

~ Denise Blasevick (aka @AdvertGirl), CEO, The S3 Agency

Note: This post originally appeared in my column. Please follow me there too!


I’m talking way beyond Meow Mix. The latest Starbucks campaign kicks off with a bang: a gif of a frappuccino-drinking cat that has kaleidoscopic designs exploding out of his paws. But let me backtrack.

I got a message from Starbucks asking me if I wanted to have some summer fun…and in order to accept this offer, I simply had to text “WOOHOO” to 22122. Who doesn’t love summer fun? Seeing as the offer came from a brand as reputable as Starbucks, I thought I’d give it a shot.

I was immediately rewarded with the below gif, in which “Pew Pew” the cat is apparently so refreshed by the frozen cappuccino he is consuming that he suddenly possesses a powerful expression of joy (and perhaps lasers?).

Is this silly? Maybe. Is it fun? Definitely. Will it appeal to people who like coffee and cats? Without question.

I’m looking forward to my next text and to seeing how the campaign unfolds. The only thing I would change at this point: perhaps a more appetizing name than “Pew Pew” for the color-wielding kitty…

~ Denise Blasevick (aka @AdvertGirl), CEO, The S3 Agency